What is Mail Art - Brief Hystory

"An eternal network that has involved hundreds of people since the late 1950s, with the inspirational artist Ray Johnson as its father figure, made up of envelopes, stamps, and any self-produced objects or bits of paper turned into creative works and sent by mail. People bound by their membership in an informal network that, through a web of connections, are included in the network from time to time, characterized by exchanges of addresses and one-to-one or one-to-many shipments. An artistic process that harmoniously blends the dimensions of the public and the private, taking shape in a network of small works sent to all those who enter the collective postal circuit, simultaneously giving rise to friendly two-way relationships experienced in the intimacy of one's own mailbox. Most of the time, a mail art process takes shape when the current networker proposes themed projects and sends out a sort of call for participation to the people involved in the network. Those who wish to can accept the invitation and send their mail art works to the provided address. The sending of projects creates a collective collection that remains with the network operator, while participants are rewarded by the networker with the sending of a small publication at the end of the project or other forms of independent publication of the works obtained. Certainly, the circuit in which mail art has had the most significant influence is Fluxus, whose members operated in close postal contact. The newsletter of Dick Higgins, through which the activities of the Something Else Press publishing house and those of George Maciunas, aimed at the creation of his Fluxus diagrams, were widely distributed, is famous. Ben Vautier, Robert Watts, Mieko Shiomi were also advocates of interesting experiments with stamps, stamps, and artist postcards." 



Post a Comment

0 Comments

Apologise to all the artists: we are out of 7th The Wrong Biennale Ediction

H i to all artists I just received a mail form David Guillo, Founder of The Wrong Biennale,  in which he says that our digital pavilion is excluded from The Wrong Biennale. So I have to apologise, we were included in september 2025 and then no more. If the artists that contaced us want we will show artworks with pleasure :-) , but it can't be said that they are part of The Wrong Biennale. Dear artists tell me please your decision Luigi Starace UareMyProblem - Digital Art Pavillion Italian Journal of Medical Humanities Stigmamente Art Media and Psychiatry Dear Luigi, After careful consideration, we have decided not to include the uaremyproblem pavilion in this edition of the Biennale. Please know that if your pavilion or embassy does not enter The Wrong, it does not make your proposal—or you as curator or artist—unheard or invalid. It simply means that it does not align with the context of this particular edition. I want to personally thank you for the effort, creativity...