[ press - international ] The Wrong Biennale seen by ArtLand Magazine

quote from The Wrong Biennale: Editor’s Picks by Shira Wolfe

In anticipation of the 60th edition of the Venice Biennale, we take a look at another art biennial that enriches the 2024 art world calendar, offering an accessible alternative to the fair system as we’ve come to know it: The Wrong Biennale. As the world’s largest online art biennial, The Wrong Biennale brings together artists, curators and institutions every two years to explore creativity and digital culture in an accessible, surprising manner. It’s an excellent snapshot of the vast range of possibilities the internet itself offers, featuring established, emerging and underrepresented artists all included on one platform, showcased in many different pavilions.

The Wrong Biennale was founded in 2013 by David Quiles Guilló and is organized by The Wrong Studio. Since its inception, its mission has been to foster a more inclusive and diverse (digital) art scene, which encourages experimentation and artistic growth. And with a viewership of millions of people all over the world, there is no doubt that The Wrong Biennale is achieving its goals.

read the full article here https://magazine.artland.com/wrong-biennale-2023-24

Apologise to all the artists: we are out of 7th The Wrong Biennale Ediction

H i to all artists I just received a mail form David Guillo, Founder of The Wrong Biennale, in which he says that our digital pavilion is excluded from The Wrong Biennale. So I have to apologise, we were included in september 2025 and then no more. If the artists that contaced us want we will show artworks with pleasure :-) , but it can't be said that they are part of The Wrong Biennale. Dear artists tell me please your decision Luigi Starace UareMyProblem - Digital Art Pavillion Italian Journal of Medical Humanities Stigmamente Art Media and Psychiatry Dear Luigi, After careful consideration, we have decided not to include the uaremyproblem pavilion in this edition of the Biennale. Please know that if your pavilion or embassy does not enter The Wrong, it does not make your proposal—or you as curator or artist—unheard or invalid. It simply means that it does not align with the context of this particular edition. I want to personally thank you for the effort, creativity...